The reviews we didn’t quite get a chance to write. It takes a bit for the plot to kick in, but Space Trash ends up being quite revolutionary and relatable to our late capitalist world exploring themes of misinformation, surveillance, and of fucking course, queer liberation. I also love her approach to character design and personalities through fashion and hair styles. Woodall’s art is full of gorgeous and occasionally hilarious background details, like the graffiti that fills the school. This volume introduces readers to the three leads Una, Stab, and Yuki and their place in the ecosystem of a fully automated school on the Moon. 1 is the opening salvo in Jenn Woodall’s queer punk dystopian sci-fi series. You don’t have to be a Wildstorm stan to jump into this book, but maybe you will be by the end.
However, my favorite part of this first issue was Segovia’s varied fight choreography for the various WildCATs from Grifter’s drunken gun fu to Zealot’s precision and Caitlin Fairchild basically being a kid on Grand Theft Auto 5 with all the cheat codes turned on. Rosenberg continues his characterization of Cole Clash as a violent, but slightly lovable fuck-up shooting his way through the DC Universe and generally being a terrible teammate. WildC.A.T.S #1 (DC Comics) – Matthew Rosenberg, Stephen Segovia, and Elmer Santos bring back the (maybe) classic 90s paramilitary super team in an action-packed, accessible way. These are Graphic Policy’s Mini Reviews and Recommendations. When that happens you’ll see a weekly feature compiling reviews of the comics, or graphic novels, we just didn’t get a chance to write a full one for.
Sometimes, the staff at Graphic Policy read more comics than we’re able to get reviewed.
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